Sonny Okosun


Sonny Okosun

Sonny Okosun (January 1, 1947 [1] – May 24, 2008 in Washington DC) was a musician from Nigeria. He is best known as the leader of the Ozzidi band. A native of Edo State in southern Nigeria and of Esan heritage. He named his band Ozziddi after a renowned Ijaw river god but to Okosun, the meaning was there is a message. His surname is sometimes spelled Okosuns and his first name Sunny. He was one of the leading Nigerian musicians from the late 1970s to mid-1980s.[2]

Okosun’s brand of African pop music, Ozzidi is a synthesis of Afro-beatReggae and funk music.[3] From 1977, he became known for protest songs about Pan-Africanism, freedom and a few other social and political issues affecting Africans.

Early life

As a young boy, Okosun spent his early childhood with his grandmother at Obore, near Irrua in Edo State, thereafter, he moved to Enugu to live with his parents. In Enugu, his father worked with the Nigerian Railway Corporation.[3] Okosun attended various training schools starting with St Brigid’s School, Asata Enugu and he then enrolled at a government trade center in Enugu. He left the training center before completing his studies.[3] Excited by a career in entertainment, Okosun traveled to Lagos to further his interest in acting. In Lagos, he took drama lessons at school in Surulere, Lagos but he left the school after a few months and returned to Enugu. In Enugu, he found opportunity in small roles where he participated in a few dramatic productions; he also worked with a notable Enugu drama studies teacher, professor John Okwerri.[3] His participation in Okwerri’s group and his determination to succeed in entertainment led him to be featured in some radio and TV skits with the Eastern Nigeria Television Station.


1960s: Early years

Okwerri was a member of the Mbari center in Enugu, the Mbari movement started by Ulli Beier, had J.P. Clark and Wole Soyinka as members and was a meeting spot for various artists and writers. It was at the center he began to develop an interest in a career in music[4] and also his recurrent appearances at the Eastern regional television station gained him notice from Mariam Okagbue who bought him a guitar and encouraged him to continue working on music. In 1965, he was a participant in a drama group that won the first prize in a competition, the group’s winning play was a dramatic version of J.P. Clark’s Song of a Goat and Okwerri’s Masquerades.[3] As the winning group they represented Nigeria in the 1965 Commonwealth Arts Festival held in London. When he returned, Okosun joined the cast of Ukonu’s club, an Eastern Nigeria Television variety show where he was able to showcase his guitar playing abilities.[5]

In 1966, he joined the band, the Postmen.[3] as a rhythm guitarist.[5] The band played the music of Cliff Richard, Elvis and the Beatles.[6]

At the onset of the civil war, Okosun and his family who were from the Mid-West and not from Eastern Nigeria had to flee the region and move to Lagos. In Lagos, he worked as a stagehand for a television station and jammed with a number of groups. In 1969, he found steady work as a second guitarist in Victor Uwaifo‘s Maestroes. Uwaifo still riding on his hit, Joromi took his band to a tour in Japan and Europe.[7] While, he was with Uwaifo, he honed his skills in musical composition by learning African rhythms styles and experimenting with a fusion of African and rock rhythms.[5]

1970s: Ozzidi sound

From 1972 to 1974, he led a band that was originally called Paperback Limited but later regrouped as Ozziddi.[8] Prior to regrouping as Ozziddi, he and some members of his group teamed with Fela and his group, the Kooler Lobitos to play gigs in the Yaba area of Lagos. On forming Ozziddi, he released several albums either with Ozziddi band or as a solo artist.[8] The albums included, OzzidiLiving Music and Ozzidi for Sale. His early Ozzidi sound combined the highlife roots of his Edo heritage with a touch of guitar riffs[9]

He had his first break with the single, Help which sold close to hundred thousand copies in Nigeria.[10] The lineup of Ozziddi band was headed by Okosun as lead vocalist, supported by three backup dancers, a trombone player, keyboardist, bass and trap drums.

Towards the late 1970s, Okosun began to release a string of reggae infused Afro-pop music.[11] His 1977 song “Fire in Soweto” became a major international hit[8] and his first gold album. [3] He was featured on the anti-apartheid album Sun City, and his song “Highlife” was on the soundtrack of the 1986 film Something Wild.[2] He released another LP album, Power to the People followed with a tour in some Nigerian cities.


He released his first American album in 1984 under Shanachie Records.[12] His next American record, Which Way Nigeria was released in 1985 under the EMI label in Nigeria and licensed to Jive records for international promotions.[13]

His mainstream success started to fade in the late 1980s, but he continued his career as a gospel musician under the name Evangelist Sonny Okosun.[8]


By 1993, Okosun had started moving towards gospel music, he released the gospel album Songs of Praise followed by another gospel piece tagged Revival. In 1998, he started the House of Prayer Ministry, a Christian church.

Later life

He died aged 61 of colon cancer on 24 May 2008 at Howard University Hospital, Washington DC.[14] His musical styles included reggaehighlifeAfro-funk, and gospel, among others.[8] He made music in a number of languages, including EsanIgboYorubaHausa, and English.[15]

Majek Fashek

Majek Fashek

Majekodunmi Fasheke, popularly known as Majek Fashek, is a Nigerian reggae singer-songwriter and guitarist. In his homeland he is best known for the 1988 album Prisoner of Conscience which included the single “Send Down the Rain”, winning him several awards.[7] Also known as The Rainmaker,[8] he has also worked with various artists worldwide including Tracy Chapman, Jimmy Cliff, Michael Jackson, Snoop Dogg, and Beyoncé.

Early life

Fashek was born in Benin City to an Edo mother and a Yoruba father, but identifies mainly with his Benin roots. Various translations of his name Fasheke (Ifa-kii-she-eke) include “high priest who does not lie”, “powers of miracles” and “(system or medium of) divination does not lie” His real birth date is not known as both parents gave him contradicting months, and he would later adopt his musical hero Bob Marley‘s birthday – 6 February – as his own.[3][4] After his parents separated he lived in Lagos with his father, a school principal who died when Fashek was ten; the latter moved back to Benin City with his mother, and soon joined the choir in his local Aladura church with his cousin future bandmate Amos McRoy Gregg and learned to play the trumpet and guitar whilst composing songs for the choir.[10]

Musical career

Early 80’s:Jastix

In the early eighties Fashek, who at the time went by the stage name Rajesh Kanal, joined the group Jastix with McRoy Gregg, and lead singer Black Rice. They were best known as the in-house band on the show Music Panorama on NTA Benin, and toured with fellow reggae group The Mandators. Jastix were also session musicians for upcoming reggae singer Edi Rasta, who would later be known as Evi-Edna Ogholi.[11]

1988-1990:Prisoner of Conscience and I&I Experience

In 1988, shortly after Jastix disbanded Fashek, who now used the name Majek Fashek, signed with Tabansi Records and began a solo career by releasing the album Prisoner of Conscience and quickly became Nigeria’s top reggae artist after the song “Send Down The Rain” became the most popular song of the year, and in 1989 he won four PMAN awards which included “Song of the Year”, “Album of the Year”, and “Reggae Artist of the Year”.[12] Fashek’s next album was I&I Experience which was released in late 1989 under the Tabansi label.

1991:So Long Too Long and American invation

After leaving Tabansi Records, he was signed to CBS Nigeria in the early 1990s and released So Long Too Long. In 1990 he was signed to Interscope Records and released the critically acclaimed album Spirit Of Love, produced by “Little Steven” Van Zandt. In 1992, he appeared on Late Night with David Letterman in support of his new 1991 album, and performed the song “So Long Too Long” for the television audience.[13] Flame Tree released The Best of Majek Fashek in 1994. He was later dropped by Interscope before moving to Mango, a division of Island Records, as it was more accustomed to marketing reggae internationally. His first album for the company included a cover version of Bob Marley‘s “Redemption Song”. He has recorded several albums for various labels since, including Rainmaker for Tuff Gong (1997) and Little Patience for Coral (2004).

Musical style

Fashek’s musical influences include Bob Marley – whom he resembles vocally[14][15] – Jimi Hendrix, and Fela Kuti. He was one of the original Nigerian artists to be drawn to the music of the Caribbean, specifically reggae, rather than indigenous hybrids such as fujijùjú, but has been known to mix these genres into his own style which he calls kpangolo, and the song “My Guitar”, an ode to his favourite instrument, was also heavily influenced by rock.[16][17]

Other works

Fashek played a supporting role in the 2000 Nollywood movie Mark of the Beast,[18][19] and starred in a commercial for non-alcoholic beverage Diamalt. He recently performed in a comedy show(with over ten thousand audience in attendance)in Lagos, Nigeria with a roundly power-filled-and-soul lifting performance.

Personal life

Fashek was married to Rita Fashek who inspired the song “Without You”; the couple had four children together, but have since divorced.[20][21] In 2015, it was revealed that Fashek was bankrupt and battling drug addiction. After admitting that he needed help, he was admitted into a drug rehabilitation centre in Abujawhere he is currently recovering.[22]

Tereo Marhguy and the Awareness